What is Shuffle Along (2016 version) about? By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. The story focuses on the challenges of mounting the original production of Shuffle Along and its effect on Broadway and race relations. Historical mash-ups run through Mr. Glover’s choreography for “Shuffle Along Or the Making of the Musical Sensation of 1921 and All That Followed,” which opens this month on Broadway. He earned a Tony nomination for his work. In Adelaide Hall …member in the benchmark revue Shuffle Along … [2][3][4] The show introduced several innovations;[5] launched or greatly boosted the career of cast members including Josephine Baker, Paul Robeson, Florence Mills, Fredi Washington and Adelaide Hall; and the song "I'm Just Wild About Harry" became a popular standard. Miller (Brian Stokes Mitchell whose charisma and mind-boggling professionalism makes his character the safe harbor) and … The creatives discuss whether or not to include a love song and embrace between the two black leads, a controversial experiment that had been received with tar and feathers in the few instances where it had been tried before; fortunately, the audiences accept it. Miller and Aubrey Lyles.But the new Shuffle Along is, as the subtitle states, “The Making of the Musical Sensation of 1921 and All That Followed,” not an actual revival of the original show. Choreographed by Walter Brooks; MusicalComedyOriginal. Ring in the new year with a Britannica Membership, Shuffle Along, Or, The Making of the Musical Sensation of 1921 and All That Followed, https://www.britannica.com/topic/Shuffle-Along-or-the-Making-of-the-Musical-Sensation-of-1921-and-All-That-Followed. Shuffle Along, a musical with music and lyrics by Noble Sissle and Eubie Blake and original book by F.E. [1][12], Opening night reviews were mostly positive, especially with respect to the songs and dancing, with nearly all reviewers giving Audra McDonald rave notices. Hall later appeared in Runnin’ Wild before launching a 1926 European tour as the star of Chocolate Kiddies. …to Broadway in 2016, choreographing Shuffle Along, Or, The Making of the Musical Sensation of 1921 and All That Followed. It, and another similar short featuring Miller and Lyles, were found in the Warner Bros archives in 2010, where they had been misfiled. The initial critical response was mostly positive, with special praise from many critics for McDonald's performance. Flournoy "F. E." Miller and his vaudeville partner Aubrey Lyles conceive the show that was to become Shuffle Along. Lyles announces that he is moving to Africa, and the creators go their separate ways. The quartet that put the show together on a long road tour were libretto creators F.E. Blake himself accompanied the cast on … Wolfe will direct "Shuffle Along, Or, The Making of the Musical Sensation of 1921 and All That Followed," starring Audra McDonald and choreographed by Savion Glover. The story is admittedly thin, supplying a vehicle for musical numbers above all, and giving it the quality of a musical revue. The production was nominated for ten Tony Awards but did not win any; it won four Drama Desk Awards, including Outstanding Musical. Who choreographed Lion King? Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed (2016) Opened Apr 28, 2016: Choreographer ; Bring in 'da Noise, Bring in 'da Funk (1996) But then comes intermission, and what had looked like a masterpiece goes flat and stays that way. …member in the benchmark revue Shuffle Along at the 63rd Street Theatre. Shuffle Along, choreographed by tap-dancing legend Savion Glover, spectacularly reanimates the legendary, game-changing 1921 Broadway show of the same name. The new musical features an all-star team of talent, led by six-time Tony winner Audra McDonald, who plays Lottie Gee, the actress who starred in the 1921 production. Miller and Aubrey Lyles, was a groundbreaking Broadway show that changed the way that theatre audiences saw relationships in the black community.Historians agree that it was not only a big hit in 1921, but that it helped to lead the way towards a new Broadway. The production also helped propel the Harlem Renaissance of the early 20th century. They meet fellow vaudevillians Noble Sissle and Eubie Blake and decide to team up to create the all-black production. Wayne Cilento. Sadly, George C. Wolfe, book writer and director of “Shuffle Along or the Making of the Musical Sensation of 1921 and All That Followed,” doesn’t seem to have figured that out. Everyone wants to be remembered for having done something important, but over the decades, the show fades into obscurity. 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